1 10 33 https://portugalbuilds.org/files/original/630851df248831b67dac9a6d7d22a140.jpg 37ea38fa29165b4ad94bc90b1459906d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Porfírio Pardal Monteiro portrait Subject The topic of the resource Individual Actors, Technician, Architect, Porfírio Pardal Monteiro Description An account of the resource Porfírio Pardal Monteiro portrait Creator An entity primarily responsible for making the resource PT BUILDS Source A related resource from which the described resource is derived Arquivo Caixa Geral de Depósitos Publisher An entity responsible for making the resource available PT BUILDS Date A point or period of time associated with an event in the lifecycle of the resource 2019-10-08 Rights Information about rights held in and over the resource Caixa Geral de Depósitos Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource ENG Identifier An unambiguous reference to the resource within a given context IA8IMG1 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Portugal Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Architect Person An individual. Birth Date 1897-02-16 Birthplace Sintra Death Date 1957-12-16 Training Institution Escola de Belas-Artes de Lisboa Occupation Architect Teacher Biographical Text Porfirio Pardal Monteiro was born in Pêro Pinheiro, on February 16, 1897. Son of Pedro Manuel Pardal Monteiro and Mariana Gertrudes, his masons ancestors are essential to understand the solidity of his works. Choosing not to follow the family business, leaving it to his brothers, in 1910 he entered the Escola de Belas Artes, in Lisboa. Attending first the general bachelor, he then initiated, in 1912, the bachelor’s in architecture. He was a colleague of Luís Cristino da Silva and Cottinelli Telmo. In the years at Belas Artes he also practiced in the Ventura Terra Atlier, a great influence in his formation. With him, he began to share a rational and functional way of designing. At the end of the bachelor, in 1919, Porfirio Pardal Monteiro continued to work with the modernist architect. In the same year he married Maria Luísa Vasques Kopke Correia Pinto. His early works, in the 1920s, are marked by the architectonic eclecticism distinctly defined in his formation. He projected the buildings of the Caixa Geral de Depósitos agencies, in Lisboa (1921), Setúbal (1924) and Porto (1923-1928), the building no. 49 in República Avenue (1920-1923), the Adventist Temple (1923-1924), the Instituto Superior Técnico (1927-1935), here inaugurating his intervention in Public Works and an important friendship with the Engineer Duarte Pacheco, a house on 5 de Outubro Avenue (1926) and the Cais do Sodré Railway Station (1925-1928),influenced by Arts Decó. Common to these works is undoubtedly the search for modernity, throughout the use of materials such as steel, concrete and glass. In the 1930s, his mark was visible in the Ford Lusitana (1930-1932), the Instituto Nacional de Estatística (1931), the Olivais Seminary (1932), the Church of Nossa Senhora de Fátima (1934-1938), the sea ports of Alcântara and Rocha do Conde de Óbidos (1934-1945) and in the headquarters of the Diário de Notícias journal (1936-1940). These works are the reflection of the modernism that, in Pardal Monteiro, reached the peak in this decade. After an interregnum in the 1940s, Porfirio Pardal Monteiro returned in the 1950s with the projects of the Ritz Hotel (1952-1959), the Cidade Universitária (1952-1967) and the National Laboratory of Civil Engineering (1949-1952), inserted in what became known as the International Modern Movement. His last work would be one of the most important, the National Library of Portugal (1964-1969). Outside of architectural scope, Porfirio Pardal Monteiro also accumulated positions in the Superior Council of Public Works, the Superior Council of Fine Arts, the National Board of Education and the National Academy of Fine Arts. He was also President of the National Society of Architects between 1936 and 1944. He has awarded with several prizes, including five Valmor awards, an honorable mention Valmor and a Municipal Prize. He also held a position as a professor in Civil Architecture at Instituto Superior Técnico, where he was later appointed Full Professor in 1944, and at the Lisbon School of Belas Artes in 1933, where he would teach for only two years of his own free will. His professional career was marked by his projective and educational activity, but also by the defence of the Architect role. In 1956 he suffered the first of at least two strokes. Unable to work and plunged into depression, he ended his life on December 16, 1957. Bibliography PACHECO, A. (1997). O espírito clássico de um arquitecto moderno. Jornal de Letras, Artes e Ideias, Nº687, pp. 24-25. SILVA, F. (2014). Entre o compromisso e a inovação, O percurso de Porfírio Pardal Monteiro. Master Thesis. Faculdade de Arquitetura e Artes da Universidade Lusíada de Lisboa. CASTILHO, J. (2010). Os Procuradores da Câmara Corporativa 1935-1974, Porfírio Pardal Monteiro [online] App.parlamento.pt. Available at: http://app.parlamento.pt/PublicacoesOnLine/OsProcuradoresdaCamaraCorporativa/html/pdf/m/monteiro_porfirio_pardal.pdf [Accessed 8 Jul. 2019] Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Porfírio Pardal Monteiro Profile Subject The topic of the resource Individual Actor, Technician, Architect, Porfírio Pardal Monteiro Description An account of the resource Porfírio Pardal Monteiro Creator An entity primarily responsible for making the resource PT BUILDS Publisher An entity responsible for making the resource available PT BUILDS Date A point or period of time associated with an event in the lifecycle of the resource 2019-07-08 Rights Information about rights held in and over the resource PT BUILDS Format The file format, physical medium, or dimensions of the resource TEXT Language A language of the resource ENG Identifier An unambiguous reference to the resource within a given context IA8DOC1 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1897-1957, Portugal Source A related resource from which the described resource is derived Jornal de Letras, Artes e Ideias Universidade Lusíada de Lisboa Assembleia da República Item under construction - more information soon https://portugalbuilds.org/files/original/725d09eb0be79c6d946f3f5b67182050.jpg 7cc86784cf0dfe9c769cf576bf5d6ca0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raul Rodrigues Lima portrait Subject The topic of the resource Individual Actors, Technician, Architect, Raul Rodrigues Lima Description An account of the resource Raul Rodrigues Lima portrait Creator An entity primarily responsible for making the resource PT BUILDS Source A related resource from which the described resource is derived Felino, A. (2008). Os cinemas em Portugal: A interpretação de um arquitecto: Raul Rodrigues Lima. Portugal: Universidade de Coimbra, p. 11. Publisher An entity responsible for making the resource available PT BUILDS Date A point or period of time associated with an event in the lifecycle of the resource 2019-10-08 Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource ENG Identifier An unambiguous reference to the resource within a given context IA9IMG1 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Portugal Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Architect Person An individual. Birth Date 1909-02-12 Birthplace Lisboa Death Date 1980-03-24 Occupation Architect Training Institution Escola de Belas Artes de Lisboa Biographical Text Raúl Rodrigues Lima was born on February 12, 1909, in Lisbon. In contact with the master José Luís Monteiro, he graduated architecture from the Escola de Belas Artes, in Lisboa. After graduation, he began his internship at the Porfírio Pardal Monteiro Atelier. He began the contact with the first modernism that was then spreading in the Portuguese architecture. With Pardal Monteiro he collaborated in the projects of the Instituto Superior Técnico and of the Igreja de Nossa Senhora de Fátima, also revealing a modernism very connected to the decorative arts, but increasingly disconnected from the past. In 1938, Rodrigues Lima was invited to elaborate a project for a cinema to build in Vasco da Gama Street, in front of Largo de Santos, the Cinearte. Thus, the cinemas would be one of the spaces on which he would intervene the most. He was in charge of the Império cinema, in Lagos (1943-1946), the Avenida cinema, in Aveiro (1945-1949), the Monumental cinema, in Lisbon (1944-1951), the Ruacaná cinema, in Angola (1944-1951), the Micaelense cinema, in Ponta Delgada (1947-1951), the Cineteatro de Estarreja, in Estarreja (1947-1951), the Covilhanense cinema, in Covilhã (1940s, 1950s) and the Messias theater in Mealhada (1950s). It’s already in the 1960s that Rodrigues Lima, in an initial partnership with the architect Antero Ferreira, designs a new cinema for the neighborhood of Campo de Ourique in Lisbon. Coming to replace the old 1930s Europa cinema, by the architect Raul Martins, the new Europa constitutes one of the last large rooms built exclusively for cinema. Another favourite area of Rodrigues Lima was the court rooms, having designed the Palácio de Justiça of Porto in 1961, the Palácio de Justiça of Aveiro in 1962, the Palácio de Justiça of Póvoa de Varzim, in 1965, among others, in Vila Real, Beja, Mangualde and Figueira da Foz. Finally, the last of spaces where Rodrigues Lima’s mark is visible is in prisons. He was responsible for the prisons of Pinheiro da Cruz, Alcoentre, Vila da Feira, Caxias and Soure. He designed other projects, namely for the Portuguese World Exhibition in 1940. He designed the fishing district in Ericeira and a building on Avenida Sidónio Pais, which earned him the Valmor Prize in 1943. Raúl Rodrigues Lima died in Lisbon, on March 3, 1980. Bibliography FELINO, Ana (2008). O cinema em Portugal, A interpretação de um arquitecto, Raul Rodrigues Lima. Master Thesis. Faculdade de Ciências e Tecnologia da Universidade de Coimbra. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raúl Rodrigues Lima Profile Identifier An unambiguous reference to the resource within a given context IA9DOC1 Subject The topic of the resource Individual Actors, Technician, Architect, Raúl Rodrigues Lima Description An account of the resource Raúl Rodrigues Lima Creator An entity primarily responsible for making the resource PT BUILDS Publisher An entity responsible for making the resource available PT BUILDS Date A point or period of time associated with an event in the lifecycle of the resource 2019-07-08 Rights Information about rights held in and over the resource PT BUILDS Format The file format, physical medium, or dimensions of the resource TEXT Language A language of the resource ENG Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1909-1980, Portugal Source A related resource from which the described resource is derived Universidade de Coimbra Item under construction - more information soon https://portugalbuilds.org/files/original/c9819550e68f134bfb95307c7f8c46c9.jpg dc1db0118f6ffc5a3ef7f267d576f4d1 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource João Guilherme Faria da Costa portrait Subject The topic of the resource Individual Actors, Technician, Architect, João Guilherme Faria da Costa Description An account of the resource João Guilherme Faria da Costa portrait Creator An entity primarily responsible for making the resource PT BUILDS Source A related resource from which the described resource is derived Restos de Colecção. (2019). João Guilherme Faria da Costa. [image] Available at: https://restosdecoleccao.blogspot.com/2019/01/ [Acessed 16 Jul. 2019] Publisher An entity responsible for making the resource available PT BUILDS Date A point or period of time associated with an event in the lifecycle of the resource 2019-10-08 Rights Information about rights held in and over the resource Restos de Colecção Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource ENG Identifier An unambiguous reference to the resource within a given context IA10IMG1 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Portugal Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Architect Person An individual. Birth Date 1906-04-06 Birthplace Lisboa Death Date 1971-01-19 Training Institution Escola de Belas Artes de Lisboa Occupation Architect Urbanist Teacher Biographical Text João Guilherme Faria da Costa was born on April 6, 1906, in Sintra. Son of the construction master Guilherme Faria da Costa and Maria de Jesus, he married Cristina Maria da Silva Faria da Costa, with whom she had two children, Francisco and José Faria da Costa. He attended the Afonso Domingues School, where he took a carpentry and civil construction course, and the Escola de Belas Artes, in Lisbon, where he attended a degree in architecture, that never finished. From there, he left for France to study at the Institut d'Urbanisme de l'Université de Paris (IUUP), together with Francisco Keil do Amaral. It was in Paris that he developed an aptitude for urbanism, having been a disciple, among others, of Henri Prost (architect-planner), Jacques Greber (landscape architect) and Donat-Alfred Agache (architect). The urbanist degree was assigned to him on June 19, 1937, with the thesis of an urban plan to the city of Figueira da Foz. On his return to Portugal in 1938, he was invited to join the technical services of the Lisbon City Hall for the preparation of urbanization studies and subsequent implementation. He later became part of the General Directorate of Urbanization and Works Services, working as a first-class urban architect. He oversaw the general plans for urbanization, among others, of Areeiro, Ajuda hillside (Restelo neighbourhood) and the south area of Alferes Malheiro Avenue (Alvalade), between 1938 and 1940. In 1945 he started teaching Urbanism in the Belas Artes School of Lisbon, resigning in 1948. In 1953 he was responsible for the urbanization studies of the south area of the Road of Benfica and in 1956 for the remodelling of the Baixa Lisboeta. In 1957 elaborates another urbanization plan, this time for Eduardo VII Park. However, its action spread geographically throughout the country, not only to the city of Lisbon, having made urbanization plans of Portalegre, between 1939 and 1942, Amadora, between 1944 and 1947, Costa da Caparica, in 1947, and Funchal between 1958 and 1959. With an extensive legacy, João Guilherme Faria da Costa was one of the first Portuguese urban planners. He died in 1971, in Lisbon. Bibliography MARQUES, B. (2015). João Guilherme Faria da Costa, O caso único da Figueira da Foz. Master Thesis. Faculdade de Ciências e Tecnologia da Universidade de Coimbra. SILVA, S. (2018). O plano de urbanização da Amadora de Faria da Costa, O projecto e a sua implementação. Master Thesis. Faculdade de Arquitetura e Artes da Universidade Lusíada de Lisboa. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource João Guilherme Faria da Costa Profile Subject The topic of the resource Individual Actors, Technician, Architect, João Guilherme Faria da Costa Description An account of the resource João Guilherme Faria da Costa Creator An entity primarily responsible for making the resource PT BUILDS Source A related resource from which the described resource is derived Universidade de Coimbra Universidade Lusíada de Lisboa Publisher An entity responsible for making the resource available PT BUILDS Date A point or period of time associated with an event in the lifecycle of the resource 2019-07-08 Rights Information about rights held in and over the resource PT BUILDS Format The file format, physical medium, or dimensions of the resource TEXT Language A language of the resource ENG Identifier An unambiguous reference to the resource within a given context IA10DOC1 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1906-1971, Portugal Item under construction - more information soon https://portugalbuilds.org/files/original/8d40b80e7ebf0f3cd6a4386da7ec1020.jpg e72e9b5f23ae7765c21e2c786693e407 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jorge de Almeida Segurado portrait Subject The topic of the resource Individual Actors, Technician, Architect, Jorge de Almeida Segurado Description An account of the resource Jorge de Almeida Segurado portrait Creator An entity primarily responsible for making the resource PT BUILDS Source A related resource from which the described resource is derived RTP Arquivos. (1990). José Segurado. [image]. Available at: https://arquivos.rtp.pt/conteudos/falecimento-de-jorge-segurado/ [Acessed 16 Jul. 2019]. Publisher An entity responsible for making the resource available PT BUILDS Date A point or period of time associated with an event in the lifecycle of the resource 2019-10-08 Rights Information about rights held in and over the resource RTP Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource ENG Identifier An unambiguous reference to the resource within a given context IA11IMG1 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Portugal Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Architect Person An individual. Birth Date 1898-10-15 Birthplace Lisboa Death Date 1990-11-09 Training Institution Escola de Belas Artes de Lisboa Occupation Architect Biographical Text Jorge de Almeida Segurado was born on October 15, 1898, in Lisbon. He was the son of the engineer João Emílio Segurado. He entered the Pedro Nunes Highschool in Lisbon, in 1913. In 1918 he entered the Escola de Belas Artes, in Lisbon, beginning with a preparatory course and then a degree in architecture, which ended in 1924. He was a disciple of José Luís Monteiro, Raúl Lino and Tertuliano de Lacerda Marques, having even worked in the studio of this last one. He began his professional career by being involved in the construction of Caixa Geral de Depósitos, alongside Porfírio Pardal Monteiro. Between 1929 and 1931 he designed with Carlos Ramos and Adelino Nunes the Júlio Henriques Highschool, in Coimbra. He made an interregnum in his professional action to know Europe and the international architecture. In this context, he was present at the International Colonial Exposition in Paris, in 1931. Upon returning to Portugal, between 1932 and 1941 he designed two buildings that would stand out, especially since they marked the introduction of modernism in Portuguese architecture, the D. Filipa de Lencastre Highschool and the Casa da Moeda building, in collaboration with António Varela. A more conservative period followed, preserving an historical atmosphere to the portuguese architecture, visible, for example, in the Santa Doroteia Private School, designed between 1935 and 1957, and at the Santa Luzia Hotel, between 1947 and 1956. The 1950s and 1960 marked his return to the school of modernism. This period was, in fact, the conciliation between the two previous ones. This reality is evident in the Chapel of St. Gabriel in Torres Novas in 1951, the "Blocos Amarelos" in Lisbon between 1954 and 1963 and in collaboration with his son João Carlos Segurado, Pousada de Sagres in 1960 and the National Agronomic Station in 1963. In addition to his contributions as an architect, winning a Valmor Prize in 1947 and two decorations, Officer of the Military Order of Sant'Iago da Espada and Commander of the Military Order of Christ, Jorge Segurado was also an innovator in the research field, having worked in the area of history, art and Portuguese architecture. Thus, the 1970s and 1980s are marked by the works Francisco d'Ollanda, Mário Eloy or even Tentações de Sábio Computador. Jorge de Almeida Segurado died on November 9, 1990, in Lisbon. Bibliography Fernandes, J. (2011). Arquitetos Segurado. Lisboa: Imprensa Nacional Casa da Moeda. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jorge de Almeida Segurado Profile Subject The topic of the resource Individual Actor, Technician, Architect, Jorge de Almeida Segurado Description An account of the resource Jorge de Almeida Segurado Creator An entity primarily responsible for making the resource PT BUILDS Publisher An entity responsible for making the resource available PT BUILDS Date A point or period of time associated with an event in the lifecycle of the resource 2019-07-15 Rights Information about rights held in and over the resource PT BUILDS Format The file format, physical medium, or dimensions of the resource TEXT Language A language of the resource ENG Identifier An unambiguous reference to the resource within a given context IA11DOC1 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1898-1990, Portugal Source A related resource from which the described resource is derived Fernandes, J. (2011). Arquitetos Segurado. Lisboa: Imprensa Nacional Casa da Moeda. Item under construction - more information soon Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Architect Person An individual. Birth Date 1909-05-17 Birthplace Lisboa Death Date 1961-01-20 Training Institution Escola de Belas Artes de Lisboa Occupation Architect Biographical Text António de Brito Macieira Lino da Silva was born on May 17, 1909, in Lisbon. He entered the Escola de Belas Artes, in Lisbon, graduating in architecture in 1936. He worked closely with Luís Cristino da Silva. With him he prepared some studies on the surrounding area of the Assembleia da República, between 1933 and 1940. He was one of the members of the restricted group that prepared the Exposição do Mundo Português of 1940. His influence can be found at the Espelho D'Água restaurant in Belém. Other projects have marked his professional career, such as the Church of São João de Deus in Praça de Londres, designed between 1951 and 1953, and the Monument of the Cristo Rei in Almada, designed in 1959. António Lino da Silva died on January 20, 1961. Bibliography Divisão de Cultura (2017). António Lino (1909-1961). O Traço do Arquiteto na Paisagem Sintrense. [online] Câmara Municipal de Sintra. Available at: http://tracodoarquiteto.cm-sintra.pt/antonio-lino1/projectos-antonio-lino [Accessed 16 Jul. 2019] Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource António Lino da Silva Profile Subject The topic of the resource Individual Actor, Technician, Architect, António Lino da Silva Description An account of the resource António de Brito Macieira Lino da Silva Profile Creator An entity primarily responsible for making the resource PT BUILDS Source A related resource from which the described resource is derived Câmara Municipal de Sintra Publisher An entity responsible for making the resource available PT BUILDS Date A point or period of time associated with an event in the lifecycle of the resource 2019-07-16 Rights Information about rights held in and over the resource PT BUILDS Format The file format, physical medium, or dimensions of the resource TEXT Language A language of the resource ENG Identifier An unambiguous reference to the resource within a given context IA16DOC1 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1909-1961, Portugal Item under construction - more information soon https://portugalbuilds.org/files/original/800fdf9606a46550323b42a37e7e19f8.jpg 93c5801af8a57901025073e0482fdfd7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raúl Lino portrait Subject The topic of the resource Individual Actors, Technician, Architect, Raúl Lino Description An account of the resource Raúl Lino portrait Creator An entity primarily responsible for making the resource PT BUILDS Source A related resource from which the described resource is derived Prates, N. (2016). Crónicas do outeiro: Raul Lino – O arquiteto da Casa dos Patudos. Alpiarcense Journal, [online]. Available at: https://www.alpiarcense.com/cronicas-do-outeiro-raul-lino-o-arquiteto-da-casa-dos-patudos/ [Accessed 16 Jul. 2019] Publisher An entity responsible for making the resource available PT BUILDS Date A point or period of time associated with an event in the lifecycle of the resource 2019-10-08 Rights Information about rights held in and over the resource Jornal O Alpiarcense Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource ENG Identifier An unambiguous reference to the resource within a given context IA13IMG1 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Portugal Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Architect Person An individual. Birth Date 1879-11-21 Birthplace Lisboa Death Date 1974-07-13 Training Institution Technical Institute of Hannover (Technische Hochschule) Occupation Architect Biographical Text Raúl Lino da Silva was born on November 21, 1879, son of José Lino da Silva, a construction materials seller. He grew up between Lisbon and São Pedro de Sintra. At the age of 11, he went with his family to England, joining a catholic school outside Windsor, the St. James Roman Catholic School. In England he contacted with landscapes, architectures and interiors from the Arts and Crafts, an artistic, catholic and medievalist chain, which was affirmed in England in the late twentieth century by names like John Ruskin and William Morris. The presence in British land between 1890 and 1893 was essential to his growth as an observer of the space and to his educational values, especially the respects for others. In 1893, at the age of 13, he went with his father to Hanover, Germany, to learn the language and take a degree in architecture. José Lino enrolled his son at the Technical Institute of Hannover (Technische Hochschule), a suggestion given not only from Joaquim Bensaúde, but also from Antero de Quental, both friends of his father. Here he continued to nourish a chain of medieval revivalism, under the umbrella of Albrecht Haupt, his master, a trend that was consequently beginning to raise nationalisms across the continent. Lino was in Germany until 1897, year that marked his return to Portugal. Raul Lino came to a country full of restlessness and agitation. The solution for the recent trained architect was to get to know his country better, taking a trip around the country and registering the different cultures and local realities. Between 1898 and 1900 this was the occupation of Lino. The first year of the new century marks the beginning of an intellectual dispute between him and the architect Ventura Terra, between Portuguese traditionalism and French cosmopolitanism. Both competed in an open competition for the projection of the Portuguese pavilion for the Paris International Exhibition of the same year, with Ventura Terra winning the opportunity. However, his mark would be visible throughout the hole Portuguese territory. He designed a set of houses in Estoril between 1901 and 1906, the Manor of Patudos in 1904, the House of Cipreste in Sintra in 1912, the Tivoli Cinema in Lisbon in 1925, a villa on Rua Castilho that earned him the Valmor Prize in 1930, and the pavilion of Brazil in the Portuguese World Exhibition of 1940. It is also worth mentioning his works of restoration, especially in Palaces such as Sintra and Queluz. He also held important positions, in 1932 he became a founding member of the Academia de Bela Artes, whose presidency took over in 1967. He was also director of the National Monuments in 1949. In addition to the Valmor prize he received other decorations such as Commander of the Military Order of Christ, on March 4, 1941. Raul Lino also has a large collection of published works, such as A Nossa Casa, from 1918, Casa Portuguesa, from 1929, Casas Portuguesas, from 1933, Quatro palavras sobre Urbanizações, from 1945, Quatro palavras sobre Arquitectura e Música e sobre alguns elementos morfológicos da Arquitectura nas Artes Estáticas, from 1962. His existence crossed the most important moments of the whole XX century in Portugal. He lived in two centuries, having reached the age of majority in 1900. At about thirty years he witnessed the implantation of the Portuguese First Republic. From the age of 40, he accompanied the Estado Novo dictatorship, in which he was comfortably inserted, being on several occasions in the service of Salazar’s regime, from his formation as Military Dictatorship, in 1926, until the acclaimed revolution that would put an end to decades of autarchy, the Revolução dos Cravos, in 1974. He died in Lisbon, at the age of ninety-five, that same year, on July 13, 1974. Bibliography Mascaro, L. and Bortolucci, M. and Lourenço, J. (2009). Raúl Lino, Uma leitura dos projetos das "Casas Portuguesas", Oculum Ensaios 09_10, pp. 52-65. SOEIRO, J. (2012). Espírito na Arquitectura, O pensamento arquitectónico em Raúl Lino e Lucio Costa. Master Thesis. Faculdade de Ciências e Tecnologia da Universidade de Coimbra. PEREIRA, P. (2012). Raul Lino, Arquitetura e Paisagem (1900-1948). PhD Thesis. ISCTE, Instituto Universitário de Lisboa. Divisão de Cultura (2017). Raul Lino (1879-1974). O Traço do Arquiteto na Paisagem Sintrense. [online] Câmara Municipal de Sintra. Available at: http://tracodoarquiteto.cm-sintra.pt/raul-lino/projectos-de-raul-lino [Accessed 17 Jul. 2019] Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Raúl Lino Profile Subject The topic of the resource Individual Actor, Technician, Architect, Raúl Lino Description An account of the resource Raúl Lino da Silva Profile Creator An entity primarily responsible for making the resource PT BUILDS Source A related resource from which the described resource is derived Oculum Ensaios Universidade de Coimbra ISCTE Câmara Municipal de Sintra Publisher An entity responsible for making the resource available PT BUILDS Date A point or period of time associated with an event in the lifecycle of the resource 2019-07-17 Rights Information about rights held in and over the resource PT BUILDS Format The file format, physical medium, or dimensions of the resource TEXT Language A language of the resource ENG Identifier An unambiguous reference to the resource within a given context IA13DOC1 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1879-1974, Portugal Item under construction - more information soon https://portugalbuilds.org/files/original/2538ceb90ddc5216ecb9f6d6d510c476.jpg 4d4e755caa073f8a8dceb129516cfb18 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource José Marques da Silva portrait Subject The topic of the resource Individual Actors, Technician, Architect, José Marques da Silva Description An account of the resource José Marques da Silva Image portrait Creator An entity primarily responsible for making the resource PT BUILDS Source A related resource from which the described resource is derived Fundação Marques da Silva. (2019). José Marques da Silva numa fotografia de passe (de perfil). [image] Available at: ttps://arquivoatom.up.pt/index.php/jose-marques-da-silva-6 [Accessed 16 Jul. 2019]. Publisher An entity responsible for making the resource available PT BUILDS Date A point or period of time associated with an event in the lifecycle of the resource 2019-10-08 Rights Information about rights held in and over the resource Fundação Instituto Arquiteto José Marques da Silva Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource ENG Identifier An unambiguous reference to the resource within a given context IA14IMG1 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Portugal Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Architect Person An individual. Birth Date 1869-10-18 Birthplace Porto Death Date 1947-06-06 Occupation Architect Teacher Training Institution Academia Portuense de Belas Artes (Escola de Belas Artes do Porto) École Nationale et Spéciale des Beaux-Arts Biographical Text José Marques da Silva was born in Porto on October 18, 1869. On the paternal side of his family he descended from agricultural workers, except for his father Bernardo Marques da Silva, who became a bricklayer and opened a materials workshop. His mother Maria Rosa Marques had in total ten children, being José Marques da Silva the oldest. He attended primary school and highschool at Ordem da Trindade School until 1851. Having worked in his father's materials workshop, he quickly gained aptitude and taste for the area, digging ground to enter the Portuense Academy of Belas Artes, where he entered in 1882. He was a student of António Geraldes da Silva Sardinha, João Marques de Oliveira and António Soares dos Reis. In 1889 he went to Paris to further his knowledge and studies, joining the École Nationale et Spéciale des Beaux-Arts in 1890. During his stay in the French capital he worked in the studio of Victor Laloux, author of Gare d'Orsay, and became friends with Teixeira Lopes, Ventura Terra, Veloso Salgado and António Nobre. He would return to Portugal in 1896, the same year he finished his degree in architecture. His activity grew quickly, having participated in both the Paris Universal Exhibition of 1900 and the Rio de Janeiro Exhibition of 1908. His designs were able to spread his mark for various decades and different cities. In the city of Porto and Braga, he designed the S. Bento Station in 1896, the working-class neighborhood "O Comércio do Porto" between 1899 and 1905, the Monument to the Heroes of the Peninsular War in 1909, the National Theater of S. João in 1910, the Four Seasons Building in 1905, the Alexandre Herculano high school in 1914, the Warehouses Nascimento in 1914, the House of Irmandade da Lapa between 1910 and 1915, the Rodrigues de Freitas high school in 1919, the Diário de Notícias building in Porto in 1825 and, among others, the House and Gardens of Serralves between 1925 and 1943. His brand was also felt in the city of Guimarães, having designed the Sociedade Martins Sarmento between 1903 and 1908, the Municipal Market between 1927 and 1947 and the Penha Sanctuary between 1930 and 1947. In Lisbon he participated in the conclusion of the works of the Jerónimos Monastery, in the revitalization of the São Bento Palace, the Lisbon Cathedral, and in the restoration of the Belas Artes School of Lisbon. Concerned for his activity, he traveled to Spain, England, France, Belgium and Germany in search of inspiration for his projects. In addition to being a great technician, José Marques da Silva was also important in the academic world. In 1900 he was invited to teach Design and Modeling at the Instituto Industrial e Comercial do Porto. In 1906 he was appointed professor of architecture at the Portuense Academy of Belas Artes, which was already called the Belas Artes School of Porto. Between 1913 and 1914 and later between 1918 and 1938 he was the director of this same school. He was also a professor and director of the Soares dos Reis Artistic School between 1914 and 1930. His connection to the drawing subject assured him the esteem of a generation of modern architects who, starting from the academic base sedimented by Marques da Silva, reinvented Porto’s architecture. Marques da Silva was, at last, involved in the Conselho Superior da Sociedade de Belas-Artes, being an associate almost all his life. He was the first associate of the Sociedade de Arquitetos do Norte. He was a collaborator in the Yearbook of the Sociedade Portuguesa de Arquitetos. He was also architect of the Porto City Hall, from 1904 to 1906. In the field of decorations, he was awarded, in 1908, the Official Degree of the Ordem de S. Tiago de Mérito Científico, Literário e Artístico. Already posthumously, he was awarded by the City Hall of Porto with the Gold Medal of the City and a street name in the Campo Alegre area. José Marques da Silva died on June 6, 1947, in Porto. Bibliography CARVALHO, A. (1992). O Arquitecto José Marques da Silva e a Arquitectura do Norte do Páis na Primeira Metade do Século XX. PhD Thesis. Faculdade de Letras da Universidade do Porto. SOUSA, M. (2017). José Marques da Silva, O arquiteto que moldou a fisionomia do Porto. [online] Porto by Livraria Lello. Available at: http://portoby.livrarialello.pt/jose-marques-da-silva-arquiteto-moldou-fisionomia-do-porto/ [Accessed 17 Jul. 2019] BRANDÃO, L. (2017). Marques da Silva, O mentor de São Bento e de Serralves. [online] Comunidade Cultura e Arte. Available at: https://www.comunidadeculturaearte.com/marques-da-silva-o-mentor-de-sao-bento-e-de-serralves/ [Accessed 17 Jul. 2019] Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource José Marques da Silva Profile Subject The topic of the resource Individual Actor, Technician, Architect, José Marques da Silva Description An account of the resource José Marques da Silva Creator An entity primarily responsible for making the resource PT BUILDS Publisher An entity responsible for making the resource available PT BUIDLS Date A point or period of time associated with an event in the lifecycle of the resource 2019-07-17 Rights Information about rights held in and over the resource PT BUILDS Format The file format, physical medium, or dimensions of the resource TEXT Language A language of the resource ENG Identifier An unambiguous reference to the resource within a given context IA14DOC1 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1869-1947, Portugal Source A related resource from which the described resource is derived Universidade do Porto Livraria Lello Comunidade Cultura e Arte Item under construction - more information soon https://portugalbuilds.org/files/original/7e616eb4e48ef79b66bd956f68acad94.jpg 98fae5218f5752175f58d2553360a81e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Luís Cristino da Silva portrait Subject The topic of the resource Individual Actors, Technician, Architect, Luís Cristino da Silva Description An account of the resource Luís Cristino da Silva portrait Creator An entity primarily responsible for making the resource PT BUILDS Source A related resource from which the described resource is derived Mário Novais Publisher An entity responsible for making the resource available PT BUILDS Date A point or period of time associated with an event in the lifecycle of the resource 2019-10-08 Rights Information about rights held in and over the resource Mário Novais Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource ENG Identifier An unambiguous reference to the resource within a given context IA15IMG1 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant c. 1946 Portugal Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Architect Person An individual. Birth Date 1896-05-21 Birthplace Lisboa Death Date 1976 Training Institution Escola de Belas Artes de Lisboa École Nationale des Beaux-Arts French Academy of Rome Occupation Architect Teacher Biographical Text Luís Cristino da Silva was born in the parish of Santa Isabel, Lisbon, on May 21, 1896. Son of Maria Antónia Augusta de Almeida Carvalhosa e Silva and João Ribeiro Cristino da Silva, professor of the Instituto Industrial and member of the " Grupo do Leão ", a group of artists responsible for the diffusion of naturalistic painting in Portugal, which included, for example, Columbano Bordalo Pinheiro. He descended from several generations of painters, gaining an early taste for art. He grew up in the neighborhood of Santo Amaro, where he became friends with Cotinelli Telmo, his neighbor. In 1907 he began studying at the Escola Industrial Marquês de Pombal and in 1910 at the Belas Artes School of Lisbon, attending the preparatory course of Civil Architecture. In 1918 he got the degree and competed for a scholarship abroad, moving to Paris in 1920. In Paris, Cristino da Silva was trained in Victor Laloux's studio while studying at the École Nationale des Beaux-Arts. In 1923, he asked to be transferred to Rome for a year, studying and working at the French Academy, in Villa Médicis. In the capital of Italy, he carried out archaeological reconstitution studies. After returning to Paris, in 1924, Cristino da Silva finished his studies and returned to Portugal. His professional career would start with his exhibition in the Sociedade Nacional de Belas Artes, presenting several projects carried out in Paris and having a very favourable reception. Soon, in 1925 he began designing the Cineteatro Capitólio, which would end in 1931. In this last year he worked on the entrance portico of Parque Mayer. In 1930 he worked on the extension of Avenida da Liberdade, the current Eduardo VII Park. At the end of the 1930s, between 1937 and 1938, he worked on the double staircase that linked the two garden plans of the São Bento Palace. In the 1940s several are the works of excellence. The Pavilhão de Honra e de Lisboa for the Portuguese World Exhibition of 1940, the Areeiro square, between 1941 and 1960, the branches of Caixa Geral de Depósitos of Guarda, Castelo Branco and Leiria, between 1938 and 1943, Avenida António Augusto Aguiar in 1943, and the new buildings of the University of Coimbra between 1949 and 1966. Cristino da Silva was invited by Engineer Duarte Pacheco, on behalf of the Lisbon City Hall, to elaborate some of the partial urbanization plans for the city of Lisbon. The Partial Plan for Urbanization of the Zone between Restauradores Square and D. João da Câmara Square between 1945 and 1957, the Partial Remodeling Study of Bairro Alto between 1949 and 1952 and the Building Project of the Ministério das Obras Públicas e Comunicações in Praça do Comércio and Largo do Corpo Santo between 1952 and 1958. Steel in the 1950s, he projected the monument to Duarte Pacheco in Loulé on the tenth anniversary of his death and the Marginal Zone of Belém, between 1953 and 1961. In 1933 he won the competition to teach Architecture at the Escola de Belas Artes, in Lisboa, which he taught until 1966. While being a teacher Cristino da Silva was an apologist for a model of teaching in which students studied at school and practiced in the atelier. Cristino da Silva also served as a vowel of the Conselho Superior de Obras Públicas between 1942 and 1954. His work earned him several awards. He received the Medal of Honor of the Sociedade Nacional de Belas Artes in 1943, the Valmor Prize and the Municipal Prize for Architecture in 1944, the National Art Prize of the Arte do Secretariado Nacional de Informação in 1961. he was also decorated several times. On March 4, 1941, he was made Commander of the Ordem Militar de Sant'Iago da Espada. On September 30, 1957, he was made Commander of the Ordem da Instrução Pública and on July 19, 1961, he was made Commander of the Ordem do Infante D. Henrique. A street in Marvila was also named after him. Luís Cristino da Silva died in 1976. Bibliography Couchinho, R. (2017). Arquitetura no Estado Novo, A Praça do Areeiro. Master Thesis. Faculdade de Arquitetura e Artes da Universidade Lusíada de Lisboa. RODOLFO, J. (1999). Luiz Cristino da Silva, O arquitecto, a obra e o seu tempo. Master Thesis. Faculdade de Arquitetura e Artes da Universidade Lusíada de Lisboa. RIBEIRO, B. (2016). Do estudo da forma e das transformações no desenho urbano, Um novo olhar sobre o Bairro Alto. Master Thesis. ISCTE, Instituto Universitário de Lisboa. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Luís Cristino da Silva Profile Subject The topic of the resource Individual Actor, Technician, Architect, Luís Cristino da Silva Description An account of the resource Luís Cristino da Silva Creator An entity primarily responsible for making the resource PT BUILDS Publisher An entity responsible for making the resource available PT BUILDS Date A point or period of time associated with an event in the lifecycle of the resource 2019-07-18 Rights Information about rights held in and over the resource PT BUILDS Format The file format, physical medium, or dimensions of the resource TEXT Language A language of the resource ENG Identifier An unambiguous reference to the resource within a given context IA15DOC1 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1896-1976, Portugal Item under construction - more information soon https://portugalbuilds.org/files/original/c4ff81d8edfff5558351d45e161aa425.jpg b70823fd1b53b45704b13cdc7b0a732f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Francisco Keil do Amaral portrait Subject The topic of the resource Individual Actor, Technician, Architect, Francisco Keil do Amaral Description An account of the resource Francisco Keil do Amaral portrait Creator An entity primarily responsible for making the resource PT BUILDS Source A related resource from which the described resource is derived Geneallnet Publisher An entity responsible for making the resource available PT BUILDS Date A point or period of time associated with an event in the lifecycle of the resource 2019-10-08 Rights Information about rights held in and over the resource Geneallnet Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource ENG Identifier An unambiguous reference to the resource within a given context IA17IMG1 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Portugal Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Architect Person An individual. Birth Date 1910-04-28 Birthplace Lisboa Death Date 1975-02-19 Training Institution Escola de Belas Artes Lisboa Occupation Architect Biographical Text Francisco Caetano Keil Coelho do Amaral was born on April 28, 1910, in Lisbon. He was the son of Francisco Coelho do Amaral dos Reis, 1st Viscount of Pedralva, and Guida Maria Josefina Cinatti Keil. Francisco came from a family of artists, with Alfredo Keil and Giuseppe Cinatti as his ancestors. He grew up in Canas de Senhorim, in the district of Viseu. He went to Luanda in 1920, since his father was Governor-General of Angola. He returned to Portugal in 1921 and joined the Gil Vicente High School. In 1928 he began to attend the Architecture degree of the Escola de Belas Artes School, in Lisboa. However, his experience at this school is not the best one. In the first year of his degree he received a disciplinary proceeding resulting from a conflict with Arnaldo Adães Bermudes, professor of Belas Artes. He was forced to finish the degree as an external student, which he ended in 1934. It was in this context that he began working in the atelier of Carlos Ramos. The beginning of his professional activity is manifested by his participation in the exhibitions of the Sociedade Nacional de Belas Artes in the years of 1932 and 1933, this last year also marks his first project, the Pasteur Institute. In 1936 he won the competition for the Portugal Pavilion in the Paris Universal Fair, remaining in the French capital for a year to supervise the construction of the Pavilion. In 1939 he joined the Lisbon City Hall, together with Inácio Peres and João Guilherme Faria da Costa. Until 1949 they were in charge of the initiatives for a functional expansion of the city. Highlights from this period are his intervention in the reorganization of the capital green spaces, namely the Eduardo VII Park, Campo Grande and Monsanto Park. Also, during the 1940s, the projects of the Lisbon Airport, two theaters, in Mangualde and Nelas, the Bairro Económico de Benfica and several single-family homes stand out. In the 1950s important marks of his career are the buildings for the Portuguese Electricity Union, Luanda and Santa Maria Airports, as well as several TAP delegations spread around the globe, in Porto, Luanda, London, Lourenço Marques, Rio de Janeiro and others, and the first stage of the Metropolitan of Lisbon, which included all the stations inaugurated in 1959. Already in the 1960s he designed, with Carlos Ramos, the Baghdad stadium in Iraq. Keil do Amaral was a very politicized architect in a political context marked by the Estado Novo dictatorship. He published several articles and books, namely A arquitetura e a vida in 1942, A Moderna Arquitectura Holandesa in 1943, O Problema da Habitação in 1945, A formação dos arquitetos in 1948, Histórias à Margem de um Século de História and Lisboa, uma Cidade em Transformação in 1970 and, at last, Quero Entender o Mundo in 1974. His intervention between 1939 and 1973 in the Municipal Magazine, created by the Lisbon City Hall, was also striking for the architectural environment. He taught in 1943, the subject of Art and Architecture at the Popular University. He participated in the organs of the Sindicato Nacional dos Arquitetos and was one of the most active promoters of the Exposições Gerais de Artes Plásticas, between 1946 and 1956, which marked a cultural dynamic of opposition to the dictatorship. Keil had an important role in the formation of the group of Cultural Initiatives Arte e Técnica and in the reformulation of the magazine Arquitectura. He was one of the protagonists of the First Congresso Nacional de Arquitetura in 1948. In that same year he was also elected president of the Sindicato Nacional dos Arquitetos. His activity earned him several awards. The Municipal Architecture Prize of Lisbon in 1951, the Diário de Notícias Prize in 1960 and the Valmor Prize in 1962. On March 4, 1941 he was also made an Officer of the Ordem Militar de Sant'Iago da Espada. Shortly before his death, which took place in Lisbon on February 19, 1975, he participated in the urbanization contest for the Island of Porto Santo. Bibliography HENRIQUES, S. (2000). Keil do Amaral, Urbanista, Tradição e Modernidade na sua Obra. Master Thesis. ISCTE, Instituto Universitário de Lisboa. ANTUNES, J. (2018). Arquitectura e natureza, Relação e poética em Keil do Amaral. Master Thesis. Faculdade de Arquitetura e Artes da Universidade Lusíada de Lisboa. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Francisco Keil do Amaral Profile Subject The topic of the resource Individual Actor, Technician, Architect, Francisco Keil do Amaral Description An account of the resource Francisco Caetano Keil Coelho do Amaral Profile Creator An entity primarily responsible for making the resource PT BUILDS Publisher An entity responsible for making the resource available PT BUIDLS Date A point or period of time associated with an event in the lifecycle of the resource 2019-07-18 Rights Information about rights held in and over the resource PT BUILDS Format The file format, physical medium, or dimensions of the resource TEXT Language A language of the resource ENG Identifier An unambiguous reference to the resource within a given context IA17DOC1 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1910-1975, Portugal Source A related resource from which the described resource is derived ISCTE Universidade Lusíada Item under construction - more information soon https://portugalbuilds.org/files/original/45dce5d67c8f3f1047c52a80d130d53b.jpg 4c236863d357663c1f39f69d9f38fe3d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hermann Distel portrait Subject The topic of the resource Individual Actor, Technician, Architect, Hermann Distel Description An account of the resource Hermann Distel portrait Creator An entity primarily responsible for making the resource PT BUILDS Source A related resource from which the described resource is derived Den Krümmel kennenlernen, Auf den Spuren Alfred Nobels (2012). Vierlaender.de, [online]. Available at: https://vierlaender.de/archives/246-Den-Kruemmel-kennenlernen-Auf-den-Spuren-Alfred-Nobels....html [Accessed 8 Oct. 2019] Publisher An entity responsible for making the resource available PT BUILDS Date A point or period of time associated with an event in the lifecycle of the resource 2019-10-08 Rights Information about rights held in and over the resource PT BUILDS Format The file format, physical medium, or dimensions of the resource JPEG Language A language of the resource ENG Identifier An unambiguous reference to the resource within a given context IA19IMG1 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant Portugal Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Architect Person An individual. Birth Date 1875-09-05 Birthplace Weinsberg Death Date 1945-08-15 Training Institution Wrocławska Akademia Sztuk Pięknych (Fine Arts School of Breslau) Occupation Architect Biographical Text Hermann Distel was born on September 15, 1875, in Weinsberg, Germany. Coming from a conservative family, during his youth and adolescence he developed a taste for arts and carpentry, having worked at the Weinsberg Municipal Building Office and at a studio in Stuttgart and Karlsruhe. During his activity in these workshops he contacted with names such as Carl Schäfer, Josef Durm and Friedrich Ratzel. He then entered the Breslau Academy of Fine Arts, where he attended and graduated architecture. Back in Karlsruhe, he did an internship with Professor Karl Moser. At the same time, he started working at the Freiburg District Building Inspection. His professional activity is quite wide, having worked in several cities, namely Zurich, Rheinfelden, Colmar and Berlin. In 1905, he opened a studio in Hamburg, together with August Grubitz. In the 1920s and 1930s their studio was already specialized in hospital unit designs. However, he is the author of numerous other works. From the beginning, its activity was intense, doing also housing, industrial and religious constructions, as well as urban plans. His projects developed a language that gradually and moderately valued functional interiors and adopted a rectilinear slant, experimenting with terraced roofing while employing local materials such as brick. With August Grubitz he designed the Montanhof building between 1924 and 1926. In Germany he designed the University of Hamburg, the Maria-Hilf Hospital, the expansion of the Diakonissenkrankenhauses Bethanien in Hamburg, the Bethesda café in Berlin, the Free Mason’s Hospital in Hamburg, the Israeli Hospital in also in Hamburg and, in 1940, the Frauenklinik Hospital, together with the Universitätsklinikum und Medizinische Institute in Berlin. He also designed his residence in Hamburger Stadtteil Bergedorf, now a classified heritage. In 1931, he was president of the Construction Section of the International Hospitals Association. With an established career in the III Reich, he gained recognition as an international hospital architect, publishing theoretical writings and receiving several orders in parallel not only in Germany but also in other countries. In this regard, in 1935, at the Congress of the International Association of Hospitals, he was appointed honorary member of the American Association of Architects, which gave him the visibility that would allow him to design the Hospital Escolar de Lisboa, the Hospital Escolar do Porto and a project for a Large Hospital to be built in Lisbon, in collaboration with his son, Walter Distel. In line with the Estado Novo, the German architect designed two of the works that would represent the most the architecture of this period. He wrote several studies, including Rationeller Krankenhaus-Bau, Ausstellungs-und Kongresshallen in Deutschland, Rationaller Krankenhaus Bau and Architekt Hermann Distel in Arbeitsgemeinschaft mit Architekt A. grubitz einer Einleitung von Carl Anton Piper. Hermann Distel died on August 15, 1945 in Hamburg-Bergedorf, Germany. Bibliography FERREIRA, A. (2015). Arquitectura Hospitalar. Master Thesis. Faculdade de Arquitetura e Artes da Universidade Lusíada de Lisboa. Arquitecturas da Saúde (2014). Hospital Escolar de Lisboa. [online] Arquitecturas da Saúde. Available at: http://www.arquitecturasdasaude.pt/santamaria.html [Accessed 12 Sep. 2019]. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Hermann Distel Profile Subject The topic of the resource Individual Actor, Technician, Architect, Hermann Distel Description An account of the resource Hermann Diestel Creator An entity primarily responsible for making the resource PT BUILDS Publisher An entity responsible for making the resource available PT BUILDS Date A point or period of time associated with an event in the lifecycle of the resource 2019-09-11 Rights Information about rights held in and over the resource PT BUILDS Format The file format, physical medium, or dimensions of the resource TEXT Language A language of the resource ENG Identifier An unambiguous reference to the resource within a given context IA19DOC1 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant 1875-1945, Germany Source A related resource from which the described resource is derived Faculdade de Arquitetura e Artes da Universidade Lusíada de Lisboa Arquitecturas da Saúde Item under construction - more information soon