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              <text>Cândido Palma de Melo was born in 1922. He was an important Portuguese architect, whose work is affirmed in the framework of the third generation of national modernism. He was the father of three daughters, the two youngest with cerebral palsy. After studying at Casa Pia in Lisbon, he graduated in architecture at the Escola de Belas Artes of Lisbon in 1947. He then attended the First National Congress of Architecture in 1948, presenting a communication on the teaching of architecture in Portugal, along with his colleague Conceição Silva. In the professional field, he began to collaborate in the Keil do Amaral studio between 1945 and 1951. However, in 1955 he decided to set up a studio of his own with Artur Pires Martins. During his career the presence of foreign influences such as Le Corbusier are evident.&lt;br /&gt;&lt;br /&gt;A convinced modernist, he contributed to the “Regulamento Geral das Edificações Urbanas” (RGEU), creating the guidelines that served the current decree of Law 163/06. In the 1950s, he was invited by the Lisbon City Council's Urbanization Studies Office, together with Nuno Teotóneo Pereira, Sommer Ribeiro and Pedro Falcão e Cunha, to give architectural meaning to a whole new field of experimentation. Then arose the constructions of the North and South Olivais, in Lisbon, thus applying in Portugal the Corbusian spirit of the Athens Charter. However, his portfolio is quite extensive and his areas of intervention are not restricted to Portugal. He designed the Lourenço Marques Airport in Mozambique between 1953 and 1963, the Pina Manique Stadium in 1954, the Bonfim Stadium in 1962, the Calouste Gulbenkian Cerebral Palsy Rehabilitation Center in 1965, the Beira Aerogare in Mozambique, the Sal Aerogare in Cape Verde, and Mormagão Aerogare in India between 1963 and 1968, the Varandas da Rocha Tourist Complex in Portimão, between 1981 and 2001, the Yellow and the Manchester Building in Lisbon, between 1977 and 1984, the "Sulfrias" Tourist Complex in Vila Real de Santo António, in 1990, and the Casapiana Solidarity Association Complex in Lisbon, in 1999.&lt;br /&gt;&lt;br /&gt;Palma de Melo was the author of the Calouste Gulbenkian Cerebral Palsy Rehabilitation Center (CRPCCG) project, inaugurated in 1970. He was chairman of the former Portuguese Cerebral Palsy Association from 1980 to 1996 and played a major role in the decentralization process of this association. He designed more Rehabilitation Centers and guided some installation adaptations of the Centers elsewhere. He designed homes adapted for people with disabilities in Porto and Lisbon and created a set of furniture that expressed his concern about social inclusion issues, designed to be used interchangeably by people with or without disabilities. Many of this highly functional furniture is still used today in CRPCCG.&lt;br /&gt;&lt;br /&gt;His career as an architect allowed him to make friends with outstanding figures in the Arts, Culture, Sciences and Politics such as Bento de Jesus Caraça, Manuel Mendes, Keil do Amaral, Teotónio Pereira, Abel Manta, Rafael Botelho, Lopes Graça, José Gomes Ferreira, Cardoso Pires, Pires Martins, Jorge Chaves, Gandra, Martins Correia, Gil Teixeira Lopes, Matilde Marçal, Maria da Graça Andrada, Natália Correia, among many others. A pioneer in the fight against architectural barriers, as is already clear, in the early 1990s Palma de Melo received the Helios Award, given by the European Commission for his work on accessibility. He was also named Honorary Member of the Association of Portuguese Architects in 1994. Cândido Palma de Melo died in 2002 at the age of 80.</text>
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              <text>&lt;p&gt;Álvaro Joaquim Melo Siza Vieira was born in Matosinhos on June 25, 1933. He is the Portuguese architect with the most visibility and international prestige. Admiring the American organic Frank Lloyd Wright, the Austrian hierarchic Adolf Loos and the Finnish naturalist Alvar Aalto, Álvaro Siza Vieira discovered a unique identity path in the conception and construction. Assuming a modernist and avant-garde perspective, noticeable in its architectural forms and meanings, he did not forget the Portuguese traditions and gave them special attention, especially with regard to its minuteness and rigor. He is the son of Júlio Siza Vieira and his wife Cacilda Ermelinda Camacho Carneiro de Melo. His marriage to Maria Antónia Marinho Leite resulted in two children, Joana Marinho Leite Siza Vieira and the architect Álvaro Leite Siza Vieira. Between 1949 and 1955, he studied architecture at the Escola de Belas Artes do Porto. He was a collaborator of Fernando Távora between 1955 and 1958, with whom he developed a strong friendship and creative complicity.&lt;/p&gt;&#13;
&lt;p&gt;He is the author of numerous national projects, including the Boa Nova Tea House in Leça da Palmeira, the Faculty of Architecture of the University of Porto, the University of Aveiro Library, the Serralves Museum of Contemporary Art, the Portuguese pavilion for EXPO'98, the Chiado area reconstruction plan and the emblematic Church of Marco de Canaveses. At the international stage he also affirmed his presence. Among many projects, some stand out. In the Netherlands, in 1985, he directed the Schliderswij Zone 5 Recovery Plan from Hague. In Spain, he outlined the projects for the Barcelona Olympic Villa Meteorological Center, the Galician Museum of Contemporary Art and the Faculty of Information Sciences in Santiago de Compostela. In Germany, he was also responsible for the work of the Schlesisches Tor Kreuzberg station in Berlin. In Italy he carried out the recovery of the Campo di Marte in Venice. In Austria, he remodelled the Winkler casino and cafe in Salzburg. In Brazil, he left his mark at the Iberê Camargo Foundation in Porto Alegre. However, his works are found in many other places, from America to Asia, through other countries such as Belgium, France, South Korea, the United States, Canada, Cape Verde, or even the Vatican, where he was invited by Pope John Paul II to the project of a church. His career is linked to major works of architecture excellence in Portugal and around the world, but also, especially in the post-Twenty-fifth of April years, to a social housing action, namely in Porto, having led interventions aimed at integrating degraded areas in the architectural-landscape experience of the city of Porto.&lt;/p&gt;&#13;
&lt;p&gt;He taught at the Escola de Belas Artes do Porto between 1966 and 1969 and returned to this school as Assistant Professor of "Construction" in 1976. He taught at the Faculdade de Arquitetura of the Universidade do Porto, where he gave his last class in October 2003. He is also a visiting professor at the Ecole polytechnique fédérale de Lausanne in Switzerland, the University of Pennsylvania and Harvard University in the United States, and the Universidad de los Andes in Colombia.&lt;/p&gt;&#13;
&lt;p&gt;He received numerous awards. In 1987, he received the Architecture Award from the Association of Portuguese Architects. In 1982, the Portuguese Section of the International Association of Art Critics awarded him the Architecture of the Year Award. In 1988, he received the Architectural Gold Medal from the Madrid College of Architects, the Alvar Aalto Foundation Medal, the Prince of Wales from Harvard University and the European Architecture Prize from the Commission of the European Communities / Mies van der Rohe Foundation. In 1992 he was awarded the Pritzer Prize for his work as a whole, one of his life milestones. In the same year he was made Grand Officer of the Military Order of Sant'Iago da Espada of Portugal. In 1993 he received the National Architecture Award. In 1999 he was made Grand Cross of the Order of Infante D. Henrique of Portugal. In 1996, 2000 and 2006 he received the Secil Architecture Award. In 2001, he was awarded the Wolf Foundation award and received the Alexandre Herculano National Architecture Award. The year 2002 was full of awards, as well as the following years, until 2005, the year the city keys of Porto were handed over to him. In 2008 he received the Royal Gold Medal for Architecture from the Royal Institute of British Architects. In 2010, he received the Luso-Spanish Art and Culture Award. In 2012 he received the Golden Lion for lifetime achievement at the Venice Architecture Biennale, other of his life milestones. In 2015, he received the "Life and Work Award" from the Portuguese Society of Authors. Finally, in 2017 was made Grand Cross of the Order of Public Instruction of Portugal.&lt;/p&gt;&#13;
&lt;p&gt;Álvaro Siza Vieira is a doctor of honoris causa at the Polytechnic University of Valencia, the École Polytechnique Fédérale de Lausanne, the University of Palermo, the Menendez Pelayo University of Santander, the National University of Ingeniería in Lima, the Universidade de Coimbra, the Universidade Lusíada do Porto, the Federal University of Paraíba, the Università degli Studi di Napoli Federico II of Naples, the University of Architecture and Urbanism Ion Mincu of Bucharest, the Università degli Studi di Pavia, the University of Palermo, the Universidade de Lisboa, the Universidade de Aveiro, the University of Seville, the Politecnico di Milano, the University of Granada and the Universidade de Évora. He is also a member of the American Academy of Arts and Science and Honorary Fellow of the Royal Institute of British Architects, the AIA, the Académie d'Architecture de France and the European Academy of Sciences and Arts.&lt;/p&gt;</text>
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              <text>António Luis Facco Viana Barreto&amp;nbsp;was born in Lisbon on February 15, 1924. He was a Portuguese landscape architect. His school career includes the Parisian College and the Military College, both in Lisbon. He graduated in Forestry and Landscape Architecture in 1952 at the Instituto Superior de Agronomia (ISA) in Lisbon. Throughout his career, he developed works at different scales of the landscape, such as private garden, public park, road installation, restoration of recreational farms, tourist village project and land management. Like Gonçalo Ribeiro Telles and others, António Viana Barreto was also a disciple of Francisco Caldeira Cabral.&lt;br /&gt;&lt;br /&gt;His works were of great importance for the evolution of the Portuguese landscape, namely the surrounding garden of the Belém Tower in 1954, the Viseu Park Project between 1954 and 1955, and later in 2003, the Bonfim Park between 1954 and 1956, the project for the Cidade Universitária de Lisboa with Ilídio Alves de Araújo in 1955, the National Library Garden and the terraces of the Ritz Hotel with Álvaro Dentinho in 1956, the Guimarães Castle surrounding in 1957, the SACOR neighborhood in 1959 with Álvaro Dentinho, the Batalha Monastery surrounding in 1965, the gardens of the Calouste Gulbenkian Foundation with Gonçalo Ribeiro Telles from 1959 to 1969, both invited to participate by the winning team of the contest for the Gulbenkian Calouste Foundation Headquarters and Museum, Ruy Jervis Athouguia, Pedro Cid and Alberto Pessoa, the refurbishment of Quinta das Conchas e Lilases at Lumiar in 1980 and Quinta da Penha Longa between 1985 and 1991. Finally, he was also responsible for the Algarve Landscape Planning in 1969 and the Troia Peninsula Planning between 2002 and 2012.&lt;br /&gt;&lt;br /&gt;António Viana Barreto also had a career in Public Administration, being the first landscape architect to work directly from the state. He held various positions. He was Head of the Studies and Planning Division of the Directorate General of Urban Planning from 1973 to 1978, Head of Landscape Planning Service of the Planning Studies Division in 1978, Director of Physical Planning Studies Services of the Directorate General of Urban Planning at the Ministry of Housing and Public Works from 1979 to 1981, and, finally, General Director of Planning at the Ministry of Quality of Life from 1981 to 1987. It’s owed to him, along with other names like Gonçalo Ribeiro Telles, the first steps in creating legal landscape protection tools such as the National Agricultural Reserve, the National Ecological Reserve or the Spatial Planning Plans. Parallel to this career in the public sphere he developed a private activity. Between 1983 and 2012 he was managing partner of the company Projectos de Espaços Verdes, Lda. He was a visiting professor in the areas of Landscape Planning and Spatial Planning at the Universidade Técnica de Lisboa between 1979 and 1980, at the Universidade de Évora between 1982 and 1984 and at the Instituto Superior de Agronomia between 1984 and 1988.&lt;br /&gt;&lt;br /&gt;Together with Ruy Jervis Athouguia, Alberto Pessoa, Gonçalo Ribeiro Telles and Pedro Cid, he won the 1975 Valmor Award for the architectural ensemble of the Calouste Gulbenkian Foundation Headquarters, Gardens and Museum. In 2009 he was distinguished with the Quercus Prize and in 2012 he was awarded the “Personality of Landscape Architecture” prize. António Viana Barreto died on May 12, 2012.</text>
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              <text>Alberto Pessoa was born on April 15, 1919, in Figueira da Foz. In Coimbra, he graduated from high school. In his free time, he devoted himself to painting, having in 1927 his works exhibited for the first time. In 1933, he held another exhibition in Coimbra with Arlindo Vicente. He moved to Lisbon and, in 1942, worked with Lucínio Cruz in the Works Plan Office of Praça do Império, under the guidance of Cottinelli Telmo. In 1943 he graduated from Architecture at the Escola de Belas Artes, in Lisbon. He would return to this school, between 1953 and 1962, to be assistant professor in the project chair of Luís Cristino da Silva.&lt;br /&gt;&lt;br /&gt;Between 1942 and 1945 he participated in several projects for the Cidade Universitária of Coimbra, such as the remodeling of the Central Library of the Faculdade de Letras. Also in 1942 he designed the extra-school centers for the Mocidade Portuguesa. In 1945 he designed the restaurant and garden arrangement of Campo Grande. In 1947, he designed the Cantante da Mota house in Restelo, a work of traditional moulds. In 1947 he worked on a team coordinated by Faria da Costa responsible for the construction and urban plans of Avenida Paris and Praça Pasteur, examples of a transitional urbanism and architecture, with semi-open blocks, rear harnessed for gardens and collective equipment, constituting these experiences Lisbon's first meaningful break with the traditional architecture. With Keil do Amaral he designed several houses and, between 1947 and 1955, equipment for the parks of Monsanto and Eduardo VII, such as the Monsanto Cemetery, the Estufa Fria, the Montes Claros Restaurant and the open-air theatre from Monsanto. That year, he opened his own studio on Avenida Guerra Junqueiro. In 1953, when his studio moved to Avenida João Crisóstomo and welcomed the architect João Abel Manta, he designed the Alvito Children's Park. In 1955 he designed and planned a housing development on Avenida Infante Santo, in Lisbon, with Hernâni Gandra and João Abel Manta. This was a project for the Avenue consisting of multifamily housing, offices, shops, cafes and public facilities, which would be arranged along the entire avenue. The housing complex had an innovative and functional character, the pinnacle of modern architecture. Between 1958 and 1959 he designed the Coimbra Academic Association, which included the Headquarters and the University Stadium. Between 1959 and 1969, together with Pedro Cid and Ruy Jervis d 'Athouguia, he designed the Calouste Gulbenkian Foundation's Headquarters and Museum, considered one of the best works of the twentieth century in Portugal. His activity did not stop there. In 1961 he designed the Porto Autosilo and in 1962 he designed the Areeiro Municipal Swimming Pool. Between 1965 and 1967, he made the Agualva-Cacém Urbanization Plan and the Mira-Sintra Economic Houses Grouping Project. At last, in 1979, he made the Algueirão-Mem Martins Urbanization Plan.&lt;br /&gt;&lt;br /&gt;He was one of the directors of Arquitetura magazine and a consultant to the Universidade de Coimbra Commission. He was also a member of the board of the Sindicato Nacional dos Arquitetos, in the presidencies of Porfírio Pardal Monteiro, between 1948 and 1950, and Inácio Perez Fernandes, between 1951 and 1956. Between 1946 and 1950, he is part of the ICAT group (Iniciativas Culturais Arte e Técnica), where he discussed ideas with renowned architects such as Francisco Keil do Amaral, João Guilherme Faria da Costa, João Simões, Miguel Simões Jacobetty Rosa, Celestino Joaquim de Abreu Castro, Hernani Guimarães Gandra and Raúl Chorão Ramalho. Together with many of these names, he presented at the I National Congress of Architecture the project O Alojamento Coletivo, highlighting the advantages of building in height for the resolution of economic housing. He was a consultant architect for Figueira da Foz City Hall for about 17 years, where he worked with the architect Mário Pereira da Silva. He was responsible for the General Plan for Urbanization of Figueira da Foz, in the 60's and its revision in 1980.&lt;br /&gt;&lt;br /&gt;He won the Valmor Prize in 1950 with the Cantante da Mota house in Restelo and in 1975, together with Pedro Cid and Ruy Jervis d 'Athouguia, for the Calouste Gulbenkian Foundation’s Headquarters and Museum. He was also awarded the 1956 Lisbon Municipal Architecture Prize by Block No. 2 of No. 70 Avenida Infante Santo. On 31 October 1969 he was made officer of the Military Order of Santiago da Espada. Alberto Pessoa died in 1985 in Lisbon.</text>
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              <text>Pedro Anselmo Braamcamp Freire Cid&amp;nbsp;was born on January 19, 1925, in Lisbon. He was a Portuguese architect belonging to the generation of post-war modernist architects. He graduated from architecture in 1952 at the Escola de Belas Artes, in Lisbo. In 1948 he participated, still as an architecture student, in the 1st National Congress of Architecture, promoted by the Sindicato Nacional dos Arquitetos. He accumulated several important positions during his professional life. He worked at the Ministry of Internal Affairs, where he collaborated in the launch of the GAT (Gabinetes de Apoio Técnico). In 1978 he assumed the direction of the Montemor-o-Novo GAT, a position that would mark his reunion with the Alentejo territory and the popular architecture. Throughout his activity, he tried to honour the clear, clean and discreet architecture with great sense of economy of materials.&lt;br /&gt;&lt;br /&gt;He was part of the renovation of the city of Lisbon in the 1950s, with important works. These include the Avenida Estados Unidos da América Housing Blocks, designed with João Vasconcelos Esteves and Manuel Laginha between 1955 and 1957, one of the first examples of the application of CIAM's theories to the urban layout of Lisbon, the Portugal Pavilion in the Brussels Universal Exhibition, between 1956 and 1958, the first major post-war architecture event, where the construction body, a sober volume of a continuous passage, was implanted in order to integrate the surroundings, the Calouste Gulbenkian Foundation Museum and Headquarters Building, designed with Ruy Jervis Athouguia and Alberto Pessoa between 1959 and 1969, a housing development in Olaias, designed with Fernando Torres in 1963, and the Jean Monet Building in Lisbon, in 1974. Outside Lisbon, he also made some interventions, as is the case of the Cacela Sub-Regional Plan, in Vila Real de Santo António, in 1966.&lt;br /&gt;&lt;br /&gt;He was awarded several times. On October 31, 1969, he was made officer of the Military Order of SantiIago da Espada. In 1956 he won the Municipal Prize for his work on Avenida Estados Unidos da América, alongside with Manuel Lajinha and João Vasconcelos Esteves. He won the Valmor Prize and the Municipal Architecture Prize in 1975 for the architectural ensemble consisting of the Calouste Gulbenkian Foundation Headquarters, Gardens and Museum, with Ruy Jervis Athouguia, Alberto Pessoa, Gonçalo Ribeiro Telles and António Viana Barreto. Pedro Cid died in Lisbon in 1983, at the age of 58 years old.</text>
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              <text>NETO, T. (2014). &lt;em&gt;Projetar para expor Coleções&lt;/em&gt;, &lt;em&gt;Os Pavilhões de Portugal em Exposições Internacionais entre a Primeira República e o Estado Novo&lt;/em&gt;. Coleções de Arte em Portugal e Brasil nos séculos XIX e XX, Perfis e Trânsitos.</text>
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