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                    <text>LEITE, I. (2015). "As contaminações tropicais de Conceição Silva". In &lt;em&gt;Jornal Público&lt;/em&gt;, [online]. Available at: https://www.publico.pt/2015/03/15/culturaipsilon/noticia/as-contaminacoes-tropicais-de-conceicao-silva-1689178 [Accessed 17 Oct. 2019]</text>
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              <text>Francisco Conceição Silva was born in 1922, in Lisbon. He married twice, having four children from the first marriage and a daughter from the second. He graduated from the Escola de Belas Artes, in Lisbon, in 1949. His first experiences in the job market were at Adelino Nunes atelier and the Federation of Pension Funds. Shortly after, he created with José Bastos an architecture society centered on single-family housing projects, particularly for the middle and upper classes. He created a personal studio in 1953, where he initially made furniture designs. These would be exhibited along with the works of Julio Pomar, Cherub Lapa, Sa Nogueira and Jorge Vieira. Influenced by modern Brazilian architecture, he dedicated himself to the design of dwellings and commercial spaces that at the same time deviated and came close to Le Corbusier's lines of thought. One of his main concerns, expressed in his projects, was the constant participation in international debates on a practical scale on the evolution of global architecture, resorting wherever possible to the modern movement, vernacular architecture, Scandinavian empiricism and brutalism. He was a true promoter of interdisciplinarity in the area of architecture, contacting with several other areas.&lt;br /&gt;&lt;br /&gt;He met with the biggest names in national culture, especially in the context of his studio, a space that served as a “school” for several generations of artists. We talk necessarily about Maurício de Vasconcelos, his partner, Tomás Taveira, Arsenio Cordeiro, Pedro Viera de Almeida, Gonçalo Ribeiro Telles, Sá Nogueira, Estrela Faria, Almada Negreiros, among others. He designed several emblematic buildings in the national context, namely the Hotel do Mar between 1960 and 1963 in Sesimbra, the Serra da Estrela Hotel, the Castil Building in Lisbon and the Hotel da Balaia between 1965 and 1967 in the Algarve, among many other works - of note are the shops and commercial spaces and, for example, the Alfragide towers that marked the beginning of the career of his architecture studio. He was responsible for several urbanization plans, namely Évora, Loures, Portimão and the Tróia Peninsula Tourism Plan.&lt;br /&gt;&lt;br /&gt;In January 1975, months before the April 25 revolution, he suffered an attack on Dafundo, at his home. He was seriously injured. In March he left, at the age of 53-year-old, to Brazil, not a month before receiving the news that he would be on the COPCON (Continuing Operational Command) lists. Oddly enough, his political sympathy was not with the authoritarian government, but with the opposition side. However, Conceição Silva was an uncomfortable architect for his peers in the highly politicized environment that preceded the revolution. He challenged the business organization of what was perhaps the largest studio in the country, with an enviable order book, with clients in the economic, cultural and political spheres, such as António Valadas Fernandes, Amália Rodrigues and Rogério Martins, Secretary of State of Industry at the time of Marcello Caetano. In the American continent, his architecture was always represented as an updated attitude of experimenting with the themes of revised modernity, adapted to the place, the materials and the construction processes, in a line of continuity with the houses that had been built in Portugal in the 60s. In Brazil, he projected essentially single-family dwellings for a wealthy bourgeoisie, ensuring a comfortable environment for the domestic life.&lt;br /&gt;&lt;br /&gt;He was president of the Sociedade Nacional de Belas Artes between 1963 and 1970. He was the founder of the Sociedade de Gravura and head of the Sindicato Nacional dos Arquitetos, where he launched the &lt;em&gt;Inquérito à Arquitetura Regional Portuguesa&lt;/em&gt; of 1955. He was awarded several times, namely in 1987, posthumously received, with the tourist merit medal awarded by the Directorate General of Tourism. Francisco Conceição Silva died of a heart attack on January 23, 1982, just before his 60th birthday.</text>
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              <text>LEITE, I. (2015). Francisco da Conceição Silva no Brasil (1975-1982), Contaminações Tropicais. Master Theses. Faculdade de Arquitetura e Artes da Universidade Lusíada de Lisboa.</text>
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              <text>FIGUEIRA, J. (2010). "Nuno Portas, Hestnes Ferreira, Conceição Silva, Sobressaltos em Lisboa, anos 1960". In &lt;em&gt;Revista Crítica de Ciências Sociais&lt;/em&gt;, Nº91, pp. 77-89.</text>
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              <text>&lt;em&gt;Nova Ponte Macau-Taipa, Engº José Câncio Martins&amp;nbsp;&lt;/em&gt;(1995). Prémio Secil Engenharia Civil, [online]. Available at: http://www.secil-group.com/prizes/engenharia-1995/ [Accesssed 07 Oct. 2019]</text>
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              <text>António Luis Facco Viana Barreto&amp;nbsp;was born in Lisbon on February 15, 1924. He was a Portuguese landscape architect. His school career includes the Parisian College and the Military College, both in Lisbon. He graduated in Forestry and Landscape Architecture in 1952 at the Instituto Superior de Agronomia (ISA) in Lisbon. Throughout his career, he developed works at different scales of the landscape, such as private garden, public park, road installation, restoration of recreational farms, tourist village project and land management. Like Gonçalo Ribeiro Telles and others, António Viana Barreto was also a disciple of Francisco Caldeira Cabral.&lt;br /&gt;&lt;br /&gt;His works were of great importance for the evolution of the Portuguese landscape, namely the surrounding garden of the Belém Tower in 1954, the Viseu Park Project between 1954 and 1955, and later in 2003, the Bonfim Park between 1954 and 1956, the project for the Cidade Universitária de Lisboa with Ilídio Alves de Araújo in 1955, the National Library Garden and the terraces of the Ritz Hotel with Álvaro Dentinho in 1956, the Guimarães Castle surrounding in 1957, the SACOR neighborhood in 1959 with Álvaro Dentinho, the Batalha Monastery surrounding in 1965, the gardens of the Calouste Gulbenkian Foundation with Gonçalo Ribeiro Telles from 1959 to 1969, both invited to participate by the winning team of the contest for the Gulbenkian Calouste Foundation Headquarters and Museum, Ruy Jervis Athouguia, Pedro Cid and Alberto Pessoa, the refurbishment of Quinta das Conchas e Lilases at Lumiar in 1980 and Quinta da Penha Longa between 1985 and 1991. Finally, he was also responsible for the Algarve Landscape Planning in 1969 and the Troia Peninsula Planning between 2002 and 2012.&lt;br /&gt;&lt;br /&gt;António Viana Barreto also had a career in Public Administration, being the first landscape architect to work directly from the state. He held various positions. He was Head of the Studies and Planning Division of the Directorate General of Urban Planning from 1973 to 1978, Head of Landscape Planning Service of the Planning Studies Division in 1978, Director of Physical Planning Studies Services of the Directorate General of Urban Planning at the Ministry of Housing and Public Works from 1979 to 1981, and, finally, General Director of Planning at the Ministry of Quality of Life from 1981 to 1987. It’s owed to him, along with other names like Gonçalo Ribeiro Telles, the first steps in creating legal landscape protection tools such as the National Agricultural Reserve, the National Ecological Reserve or the Spatial Planning Plans. Parallel to this career in the public sphere he developed a private activity. Between 1983 and 2012 he was managing partner of the company Projectos de Espaços Verdes, Lda. He was a visiting professor in the areas of Landscape Planning and Spatial Planning at the Universidade Técnica de Lisboa between 1979 and 1980, at the Universidade de Évora between 1982 and 1984 and at the Instituto Superior de Agronomia between 1984 and 1988.&lt;br /&gt;&lt;br /&gt;Together with Ruy Jervis Athouguia, Alberto Pessoa, Gonçalo Ribeiro Telles and Pedro Cid, he won the 1975 Valmor Award for the architectural ensemble of the Calouste Gulbenkian Foundation Headquarters, Gardens and Museum. In 2009 he was distinguished with the Quercus Prize and in 2012 he was awarded the “Personality of Landscape Architecture” prize. António Viana Barreto died on May 12, 2012.</text>
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              <text>Gonçalo Ribeiro Telles was born in Lisbon on May 25, 1922. He is a Portuguese landscape architect, agronomist engineer, ecologist and politician. He graduated in Agricultural Engineering and completed the Free Course in Landscape Architecture at the Instituto Superior de Agronomia of the Universidade Técnica de Lisboa (ISA) in 1950. As a liberal professional he developed a set of projects at various scales of the landscape, such as private and public gardens, private and public parks, green corridors, road implantation, quarry restoration, restoration of recreational farms, landscape integration of factories, rural and territorial planning.&lt;br /&gt;&lt;br /&gt;He began his professional life in the services of the Lisbon City Council. From 1951 to 1953, he was part of the Arborization and Gardening Bureau, becoming in 1955 the landscape architect of the CML Urbanization Studies Office, headed by engineer Guimarães Lobato, where he remained until 1960. 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              <text>Alberto Pessoa was born on April 15, 1919, in Figueira da Foz. In Coimbra, he graduated from high school. In his free time, he devoted himself to painting, having in 1927 his works exhibited for the first time. In 1933, he held another exhibition in Coimbra with Arlindo Vicente. He moved to Lisbon and, in 1942, worked with Lucínio Cruz in the Works Plan Office of Praça do Império, under the guidance of Cottinelli Telmo. In 1943 he graduated from Architecture at the Escola de Belas Artes, in Lisbon. He would return to this school, between 1953 and 1962, to be assistant professor in the project chair of Luís Cristino da Silva.&lt;br /&gt;&lt;br /&gt;Between 1942 and 1945 he participated in several projects for the Cidade Universitária of Coimbra, such as the remodeling of the Central Library of the Faculdade de Letras. Also in 1942 he designed the extra-school centers for the Mocidade Portuguesa. In 1945 he designed the restaurant and garden arrangement of Campo Grande. In 1947, he designed the Cantante da Mota house in Restelo, a work of traditional moulds. In 1947 he worked on a team coordinated by Faria da Costa responsible for the construction and urban plans of Avenida Paris and Praça Pasteur, examples of a transitional urbanism and architecture, with semi-open blocks, rear harnessed for gardens and collective equipment, constituting these experiences Lisbon's first meaningful break with the traditional architecture. With Keil do Amaral he designed several houses and, between 1947 and 1955, equipment for the parks of Monsanto and Eduardo VII, such as the Monsanto Cemetery, the Estufa Fria, the Montes Claros Restaurant and the open-air theatre from Monsanto. That year, he opened his own studio on Avenida Guerra Junqueiro. In 1953, when his studio moved to Avenida João Crisóstomo and welcomed the architect João Abel Manta, he designed the Alvito Children's Park. In 1955 he designed and planned a housing development on Avenida Infante Santo, in Lisbon, with Hernâni Gandra and João Abel Manta. This was a project for the Avenue consisting of multifamily housing, offices, shops, cafes and public facilities, which would be arranged along the entire avenue. The housing complex had an innovative and functional character, the pinnacle of modern architecture. Between 1958 and 1959 he designed the Coimbra Academic Association, which included the Headquarters and the University Stadium. Between 1959 and 1969, together with Pedro Cid and Ruy Jervis d 'Athouguia, he designed the Calouste Gulbenkian Foundation's Headquarters and Museum, considered one of the best works of the twentieth century in Portugal. His activity did not stop there. In 1961 he designed the Porto Autosilo and in 1962 he designed the Areeiro Municipal Swimming Pool. Between 1965 and 1967, he made the Agualva-Cacém Urbanization Plan and the Mira-Sintra Economic Houses Grouping Project. At last, in 1979, he made the Algueirão-Mem Martins Urbanization Plan.&lt;br /&gt;&lt;br /&gt;He was one of the directors of Arquitetura magazine and a consultant to the Universidade de Coimbra Commission. He was also a member of the board of the Sindicato Nacional dos Arquitetos, in the presidencies of Porfírio Pardal Monteiro, between 1948 and 1950, and Inácio Perez Fernandes, between 1951 and 1956. Between 1946 and 1950, he is part of the ICAT group (Iniciativas Culturais Arte e Técnica), where he discussed ideas with renowned architects such as Francisco Keil do Amaral, João Guilherme Faria da Costa, João Simões, Miguel Simões Jacobetty Rosa, Celestino Joaquim de Abreu Castro, Hernani Guimarães Gandra and Raúl Chorão Ramalho. Together with many of these names, he presented at the I National Congress of Architecture the project O Alojamento Coletivo, highlighting the advantages of building in height for the resolution of economic housing. He was a consultant architect for Figueira da Foz City Hall for about 17 years, where he worked with the architect Mário Pereira da Silva. He was responsible for the General Plan for Urbanization of Figueira da Foz, in the 60's and its revision in 1980.&lt;br /&gt;&lt;br /&gt;He won the Valmor Prize in 1950 with the Cantante da Mota house in Restelo and in 1975, together with Pedro Cid and Ruy Jervis d 'Athouguia, for the Calouste Gulbenkian Foundation’s Headquarters and Museum. He was also awarded the 1956 Lisbon Municipal Architecture Prize by Block No. 2 of No. 70 Avenida Infante Santo. On 31 October 1969 he was made officer of the Military Order of Santiago da Espada. Alberto Pessoa died in 1985 in Lisbon.</text>
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              <text>TRINDADE, A. coord. (2005).&amp;nbsp;&lt;em&gt;Alberto José Pessoa&lt;/em&gt;,&amp;nbsp;&lt;em&gt;1919-1985&lt;/em&gt;,&amp;nbsp;&lt;em&gt;Arquitecto&lt;/em&gt;. Lisboa, Comissão Municipal de Toponimia, Câmara Municipal de Lisboa.</text>
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